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  • Ho voglia di te
    • Ho voglia di te
    • Runtime:106 min
    • Release Date:2014-11-25 03:58:25
    • Director: Luis Prieto
    • Genres: Comedy
    • Studio:
MOVIE REVIEW:Ho voglia di te
Auhtor:

   

Riccardo Scamarcio floats through this, how should I call it? -
romantic comedy? with annoying passivity. Smouldering vacuously. The
stunning, vivacious Laura Chiatti, scores all the points. This tired
tale of boy loses girl, gets another and then…looks old before it
starts. The aforementioned Scamarcio seems to go through it all with a
gun to his head. He doesn't even manages a little bit of charm. I fear
this is a repeating strategy of the one of two important Italian
production/distribution companies. They get a name that seems to
attract young audiences and squeeze them to death, putting them in one
brainless project after another. Here there is a brave attempt by
director Luis Pietro, to play on Scamarcio's growing status as a teen
age idol, but Scamarcio doesn't seem very willing to oblige and as a
consequence the whole thing collapses. The grainy photography – maybe
it was me, sitting on the third row of the Adriano movie house -
doesn't help the idea of romance when you see every pimple in the
actor's faces. The theater packed by, mostly, teen age girls and their
reluctant boyfriends sat in silence until the opening a beer can,
provoked a few giggles. Nudity and empty glances try to accomplish the
impossible. Delivering what it promises.

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Riccardo Scamarcio glares out from the posters promising a thousand
delights. A romantic comedy with the romantic star of the moment. What
more could his teen age fans want? I'm not sure but it must be more
than this. Riccardo Scamarcio, building a reputation as a "serious"
actor keeps turning this thinner than thin nonsense that risks to
alienate his young adoring fans and jeopardize the potential career of
a "serious" actor. Here he seems bored. As if he was above it all. As
if he just wanted to get the hell out of there. Even with the
introduction of his character (his name is Step, yes Step), the
director attempts a star introduction. He is on an escalator, his back
to us. Then he turns. But the turning is hesitant, his eyes wonder.
Embarrassment? Insecurity? Maybe both, maybe one feeding the other. I
hope Scamarcio wakes up. He certainly has the face and, I suspect, the
talent. The Italian cinema needs a great film star and he seems to have
all it takes, except perhaps, good advise or a good ear. I'm prepared
to give him, one more chance.

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